Season of Mist

Try our worldwide shop!

  • Since their very first journey into the night more than 25 years ago, GREEN CARNATION have never shied away from a challenge. Founded by Emperor’s former bassist Tchort, the Norwegians quickly amassed a cult following while blazing their own trail through fields of symphonic doom, hard rock, acoustic plucking and progressive metal. With ‘The Messiah Complex’, GREEN CARNATION have completed another masterpiece that concludes a grand and gloomy trilogy. Whether it’s the second wave black metal that drives Part I, the raw and aching ballads that support Part II or the bold 16-minute orchestral finale to Part III, the results are resounding down to the last epic note of a 'A Dark Poem'.
  • Upon making their debut in 2022, MISCREANCE were likened to Death, Atheist, Pestilence and other greats throughout the alternate timeline that is the history of death metal. However, sophomore album ‘Reminiscence’ isn’t one band’s attempt to recall death metal’s glory days. Instead, through a collective hallucination, MISCREANCE venture into dark territory that the genre has yet to travel. With ‘Reminiscence’, they unlock a mind-altering experience of old-school technical death metal.
  • With three decades full of credits spanning from black metal and doom to the avant-garde, Tor-Helge Skei has remained one of the most consistent and surprising talents in extreme music. The debut album from his latest project dwells on the darkness that permeates our lives. But while haunted by deeply personal visions, Holissstik finds solace through the spirit of collaboration.     
After meticulously sketching what would become Holissstik's opening chapter at his home studio, Skei allowed outside influences to take control.  Featuring a wide net of more than 15 collaborators that includes members of his band Manes and Buddhist monks, This Endless Solitude unfolds with surprising twists and turns right from the start. “The Rhythm of Silence” slips seamlessly through the cracks between trip-hop and industrial noise into rap.
But amidst its deep-seeded anxieties, intrusive thoughts and other ceaseless discomforts, This Endless Solitude is held together by a sliver of hope. “Would you take this heart / to relieve my chest / of the heaviness”, a familiar face in Martyna Halas offers during the album’s enchanting centerpiece. It’s not a question but an invitation to become something greater than ourselves.   
With This Endless Solitude, Holissstik emerge as a boundless, unified force.
  • UNTITLED WITH DRUMS are a four-piece from Clermont-Ferrand, France, whose decade of work has steadily carved out a place for uncompromising alt rock in a scene that too often plays it safe. Their debut album ‘Hollow’ launched them onto the stages of Hellfest and Nuits de Fourvière, and ‘Made Flesh’ is where that foundation becomes something sharper.
  • Founded in Brussels in 1998, EMPTINESS have spent over two decades refusing the conventions of extreme music, moving through black and death metal, avant-garde experimentation, and claustrophobic minimalism to build a body of work that consistently resists genre enclosure. ‘Nowhere Speaks’ is their seventh full-length and their most immersive statement yet. Forces converge, collide, and dissolve in ways that resist comprehension, reflecting the band's central idea that nothing exists, yet everything does.
  • Since stepping out from their grave deep within the American South, WAILIN STORMS have caught fire with noisy and bluesy explosions of gothic rock. Old folk songs, Baptist hymns, Flannery O’Connor and other influences are brought stomping and screaming into the light on an album that rekindles the band’s roots in raw-to-the-bone blues punk. On ‘The Arsonist’, WAILIN STORMS deliver a fiery baptism of gothic rock.
  • While faithful worshipers of the almighty riff, DOPELORD are addicted to more than just the devil’s lettuce. Since budding out of Poland in 2010, the band have led children of the haze down the left-hand path. On their fourth album, they blew the gates of hell wide open with magickal stoner-doom. ‘Sign of the Devil’ summons stoner-doom that truly raises horns.
  • TODOMAL emerged from the arid heartlands of eastern Spain in 2020, forging a deeply personal sound from the solemnity of doom metal, the sweep of cinematic rock and the quiet weight of lived experience. Written in solitude following personal tragedy, ‘Graveyards of Joy’ channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom.
  • Defiled dizzying ninth,